The collaboration between the harpist and artist INA ALOISIA EBENBERGER and composer, musician and artist AMAR PRIGANICA carries into transcendental spheres. Both are interested in music’s sacred and boundary-dissolving potential — its ability to seize the body and perception before the mind begins to categorise. Harp and zither, historically associated with angelic music and revelation, are transformed through electronic processing to such an extent that they lose their idiomatic identity and become part of a larger sonic continuum. Organ, electric guitar and deep sub-bass frequencies play a central role, with physically perceptible sound and overwhelming intensity becoming the material itself.